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Monthly Archives: May 2015

  • Art Profiles: Sophie Gackowski

    Sophie Gackowksi of Just Miniature Things (Small Curiosity Shop?) is our first interviewee in our new art profiles series which aims to introduce local artists and their work to our readers. 

    "A vibrant artistic spirit."

    Having started at Art College at 15, Dundee resident Sophie undertook a year of fine art and a year of interior design before making the decision to not continue with a formal art education and to do a degree in literature and philosophy instead.  “So I’ve got two degrees, but nothing arts based” she laughs.

    Sophie now makes 1/12th scale miniatures of normal life size things; amongst the examples she has brought along to show me are a tiny pack of tarot cards, tiny erasers, tiny chocolate bars, tiny everything…

    She first became involved in this nano-world through dolls house miniatures.  A collector herself she was motivated by the prohibitive prices of many pieces to begin making her own.  From there she moved on to making miniature scenes in an attempt to attract interest from outside the dolls house market.  These little sets, as seen in the pictures below can be bought as little ornaments.

    dinnder  violin

    When asked how she sees herself as fitting into the dolls house market which got her started, Sophie feels her position is confused at the moment.  Top end items of the dolls house miniature market she tells me can cost up to £700 or £800.   A lot of the people who make miniatures, like furniture, also make the life size equivalents and so are coming to the table with a very high skill set.  However Sophie doesn’t see this as a problem.  Rather than being boxed in to the dolls house market she is trying to take the concept of miniatures and seeing how they can be developed.

    Sophie uses all kinds of craft materials to create her mini curiosities.

    “That’s the fun of it,” she says, “because you get to work with wood, you get to work with metal, you get to work with sculpture…all kinds of mediums but just sort of condensed.  I use a lot of everyday things which you would just find around the house, cocktail sticks are invaluable, but yeah, Fimo.  I spend a lot of money on Fimo.”

    She also uses a specialised set of tools, including mini fretsaws and chisels.  These items are also quite expensive she tells me; another reason which can make it quite costly to get involved in this area, and which has to be factored into the price of the work.  Sophie is trying however to create a more accessible range of miniatures price wise, the kind of thing that students could buy as gifts, “Because not everyone can afford to spend £50 on something small.”

    After half an hour of speaking to Sophie and seeing her work it is clear that Sophie has a strong creative ethos and a vibrant artistic spirit.  So what was it, I ask, made her decide to abandon her arts degree and go into the humanities and what was it which brought her back to art?

    The short answer was competition she says,

    “Realising there are some fantastic artists out there and seeing yourself perhaps as not as capable, not as talented….and also money.  At the time, when I was sort of sixteen or seventeen I was thinking about getting a job and having money and being able to live a comfortable life, and I thought it would be easier to do that with a degree in literature than in art which is ridiculous.  I think everybody has that idea, and I think a lot of people go into the humanities who are actually quite creative.  So that was what put me off and it took a few years but now I’m finally getting back into it, because now I know that money doesn’t actually matter that much, you just need what you need to get by.”

    “I had a bit of a strange time last year.  I was diagnosed with cancer in August, and had my arm amputated.  So before I had two, which made it a lot easier to do miniatures.  And that completely, completely shifted my perspective.   I thought, no actually I’m going to do the miniatures because I enjoy it and if I don’t make any money out of it then I’m still doing what I enjoy.  I realised that I don’t want a nine to five and I want to do creative things and do arts things, and do what I love.  So I guess that’s what’s happened with regards to going back into art.”

    It is quite simply nothing short of awe inspiring to be in the presence of such a positive attitude of determination not only to not allow this experience to limit her creativity, but also to actively use it as a way to re- embrace her artistic practice.

    Sophie’s philosophy should be an example to all.

    Being creative is a therapeutic thing

    “You don’t have to make money out of it [art]; it’s such a therapeutic thing.  Being creative is the closest thing you can get I think to nurturing your soul and your spirit.  It’s just being kind to yourself. I think more people should just sit down and scribble drawings if they fancy scribbling a drawing.  It can be a kind of diary.  But people don’t often see it like that, and they compare themselves too often to people who are extremely talented artists, who might have huge galleries and exhibitions and make loads of money, and that’s fantastic for them, but its important I think that people don’t perceive it as so elite.”

    This is often such an unusual attitude to encounter in the highly competitive art world that it is extraordinarily refreshing to see this democratising attitude to creativity. ship  tarot

    So how, I wanted to know, does Sophie choose the things she creates?

    “When it was more hobby based,” she tells me, “I would always make things as gifts.  I started out meaning to make things for my own dolls house, and then ended up usually making things as presents for people because that was a good point of reference I suppose.  Like a fiddle workshop I made inside a full- sized violin.  Whereas now I would say I’m less picking up things and thinking I would like to make that and more thinking about what people might be interested in in miniature.  In terms of the dolls house market, I like making curios, because people are very strict about the period their dolls houses are in and the things they put inside, so most people go for Victorian.  The Victorians were massive collectors, so making tiny butterflies, or tiny death masks, things related to palmistry and tarot and things that Victorian people would have had as little knickknacks.  Because the furniture is taken care of,  and the glass and amazing food and things that people can make who are absolute experts at doing that, but there’s not a lot of people producing curios.  It’s fun.  It’s really fun.  I’m thinking of branching out into tiny taxidermy….”

    It’s unusual enough to find somebody who creates life size taxidermy, let alone mini-taxidermy these days.  This is too intriguing an idea not to follow up, how exactly does she intend to create mini taxidermy?

    “ I guess it would have to be sculpture.  My father’s an antique collector and he’s got lots of taxidermy and he has a beautiful parrot under a bell jar.  Whenever I am making things I like to use things that I have around me so I can actually get the scale right, because I’m quite particular about that. So I suppose I would have to sculpt it out of Fimo, and carve into it the feathers and things…”

    So where do all these diminutive creations come into existence?

    “I have a Victorian table in the living room, which comes out and gets covered in things.  Because its tiny things, I don’t have to have a huge amount of space, and then in terms of storing the things, I don’t need much space either.  So there wouldn’t be much point in getting a studio.  Unless I was to be doing this full time.  So I just work from home at the moment.”

    Would she like to be doing this full time?

    “Absolutely, but I’ve never been particularly good at marketing myself.  It’s quite a difficult thing to get set up in and work out “Who are you publicising this to?” Who are your audience and your customers, and I think I need to figure that out first.  If I were to get a stall at the Kensington dolls house show next year I might think about getting a small space.  It would be lovely to be somewhere where I was working with other creative people doing things in arts.”

    With such a positive outlook on what she is doing and why, I wanted to know if Sophie had any advice for those people (potentially our readers) who want to get involved in art?

    “I would say to go into things for the right reasons.  Do it because you love it, and do everything you can to carry on with what it is that you love doing.  For people that don’t necessarily have any experience in the arts you just have to give it a bash.  Its like my background is writing and the first dozen stories that I wrote were awful, but you have to get the bad stuff out before any of the good stuff can come out, and its practice.  Every skill and every kind of art takes practice.  It’s taking that first step of actually putting pen to paper or paintbrush to canvas, or scalpel to a bit of wood and just giving it a go.”

    Sounds like good advice to us.

    Fiona MacHugh


    If you want to see more of Sophie’s work, or are interested in commissioning some of your very own miniatures you can go through either her Etsy site:

     Or contact her through her business e-mail:

  • Zentangle®, Doodle Art and Sakura®

     “Anything is Possible One Stroke at a Time.”[1]

    Zentangle® and its creative outcomes (and offshoots) are probably more familiar to a lot of people than realise.  There has been a veritable explosion of images on Pintrest, Google Search and Fickr of designs which either use the method or a method inspired by the technique.

    The “Zentangle® Method” was developed by Rick Roberts and Maria Thomas as a kind of meditative, artistic practice through the creation of “beautiful images by drawing structured patterns”[2].  According to the Zentangle® website the technique is designed to be intuitive, fun, relaxing, ceremonial, timeless, portable, non-technical and empowering.  Zentangle® patterns are created on “tiles” which measure 3 1/2 inches (89 mm) square and are designed to be completed in a single sitting.  The creators advise that you keep some tiles in your pocket or purse so you can be ready to create at any moment.  True Zentangle® tiles should be non-representative patterns with no distinguishable form to them.   The creators of the method liken the experience of the practice to a Tea Ceremony, or to forms of meditation.

    Creators of Zentangle®,  Maria and Rick state;

    “We believe that life is an art form and that our Zentangle® Method is an elegant metaphor for deliberate artistry in life.”[3]

    The deliberate strokes used in the method are seen by its creators as being representative of the “strokes” we make in life (our actions or thoughts).  “There is no eraser in life, and there is no eraser in a Zentangle Kit” they say.   The idea is to create abstract spontaneous, unplanned patterns without second guessing or correcting them.  “Apparent mistakes can be foundations for new patterns and take you in unexpected and exciting new directions.”  [4]

    The creators of the official Zentangle® method recommend that practitioners take up the technique using Zentangle® kits that can be ordered through the official site or by taking regular courses with qualified Zentangle® instructors.

    A starter Zentangle® kit includes 32 tiles, 2 pens (the site recommends Sakura® Pigma Micron 01 black pens due to the fineness of the line (0.25mm) and due to the permanence of the archival pigment ink which the pens use), pencils and a sharpener (no eraser!) a tortillion or smudge stick,  an instruction booklet and companion DVD,  a Zentangle Legend™ ( a card with 20 numbered and named Zentangles with how-to instructions) and a Icosahedron (20 sided die) so you can use this to choose patterns if you wish.  The legend can also be used as a quick visual reminder of patterns.

    icosahedron Legend

    (Above:  Zentangle Legend™ and Icosahedron)

    All this comes in an easy to carry, book shaped box (5 1/2” x 8”x 1 ¾” or 14cm x20.5cm x4.5cm).  The kits can be purchased for $49.00 (approx. £32.50) form the official Zentangle® Website, although the creators also state that;

    “We provide enough free information in our newsletters, blog and youtubes to get an idea of our Zentangle method. More and more sites and books describe what you can do with the Zentangle method. Even we joke that, "all you need to create Zentangle art is a stick at the beach at low tide." And when you think about it, you probably don't even need a stick.”[5]

    So, given that you could probably put the kit together yourself, why do the creators recommend you buy a Zentangle® kit?

    “To understand and appreciate something fully, it's good to learn the basics as they were developed. We regularly receive emails from people who finally bought a Zentangle Kit and they regularly say how much more they discovered that there is to the Zentangle method, how beautiful the kit is itself, how enjoyable the DVD is and how much more pleasure they now receive from creating Zentangle art.”[6]

    Illustration Art Supplies

    This is probably a good point, but here in Dundee at Trinity Arts (or our UK online store ) we stock most of the kit essentials if you wanted to have a go before buying the full shebang.  We have a range of Sakura Pigma Micron Pens in Black, Red, Green, Sepia and Blue from sizes 005 to 08 and we sell sets of 6 or 3 in the Black Pens (range of sizes).

    We also obviously have a range of pencils and sharpeners to suit your needs, as well as tortillions and tiles can be created using one of our range of papers and cards.

    If this abstract method doesn’t take your fancy though, why not check out some of the Zentangle Inspired creations out there on the internet.   Although these do not follow the true Zentangle® method, they can also be a relaxing and fulfilling activity.   I suppose most are somewhere between this Zentangle® method and a more traditional doodling idea.  With a standard A5 Sketchbook, HB pencil for sharp lines and Black Micron Sakura Pens size 005, 04 and 08 (all of which are available in the shop or online) here’s some of my Zentangle Inspired designs.

    Zentangle Owl 220042015 Zentangle wolf 20042015 Zentangle dog 20042015(







    Above: Doodle/Zentangle Inspired Drawings by Fiona MacHugh)

    Why Sakura Pigma Micron?

    The Sakura Pigma pens are really great for fine line illustration. The flow of ink is fantastic and there is no bleeding (I originally tried using a Stabillo Fineliner but this bled too much to get crisp lines.)  The clarity of the ink and the precision that it is possible with these pens make them a real pleasure to use, and the archival ink is waterproof, chemical resistant, temperature proof and permanent of paper once it dries with the potential to last hundreds of years!  So come on down and try them out, whether you fancy a go at Zentangle®, your own doodles or another kind of pen illustration.

    Useful links to help you be further intrigued and inspired

    Useful links to help you have a go are the Zentangle® YouTube channel ( You can also find plenty of other videos by other users which are not from the official channel for advice and inspiration simply by searching “Zentangle”.  To sign up to the newsletter visit the official Zentangle® website (  where you can also read up more on materials, methods, philosophy and courses.


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